A large and exceptionally rich cabinet specimen of clinoatacamite, hosting numerous dark green clusters of the mineral set against a matrix covered by blue chrysocolla over quartz.
I purchased a large lot of Lilly Mine material while in Peru, the bulk of the specimens were mainly just druses of quartz over chrysocolla or malachite, though there were a small quantity of these very rare clinoatacamite specimens as well.
The majority of the examples I have seen have the crystals somewhat jumbled together, or set against dark green malachite matrixes. As a result, the crystals can be hard to properly appreciate. The contrasting background and distinct nature of the crystals and crystal clusters make the clinoatacamite on this piece easier to discern and appreciate.
This is one of the two best clinoatacamites from the lot (the other being specimen 14PE9) and an unusual example of the intersection between rarity and a macroscopic mineral that can actually be called aesthetic.
This is my favorite piece from the trip, a terminated quartz crystal with a single epidote fan clinging to the rear of the termination.
This is a slightly older piece, from the find made several years ago--specimen mining at this site ran from about 1995 to 2004. It was held back in the collection of a local dealer.
I have seen a number of epidotes from this location, and several epidotes with quartz, but none with the superb composition and aesthetics of this one. Although a couple terminations in the epidote spray are dinged, this cannot be avoided with epidotes from Pampa Blanca, and surrounded by the numerous perfect ones, this is nearly invisible.
The base of the quartz crystal is slanted, so for the sake of photpgraphing the piece I attached it to a base (rather sloppily) using a small stand as support. This piece would greatly benefit from a custom base. You can see this sloppy mounting in the third image from the top, on the right column, obviously that is not the display side...
All in all, this probably ranks among the best examples to come from the locality, and I would even go so far as to call it a notable piece for Peru.
A large and exceptionally rich cabinet specimen of clinoatacamite, hosting numerous dark green clusters of the mineral set against a matrix covered by blue chrysocolla over quartz.
I purchased a large lot of Lilly Mine material while in Peru, the bulk of the specimens were mainly just druses of quartz over chrysocolla or malachite, though there were a small quantity of these very rare clinoatacamite specimens as well.
The majority of the examples I have seen have the crystals somewhat jumbled together, or set against dark green malachite matrixes. As a result, the crystals can be hard to properly appreciate. The contrasting background and distinct nature of the crystals and crystal clusters make the clinoatacamite on this piece easier to discern and appreciate.
There are some blemishes to the display face, though overall the specimen is exactly as shown.
A specimen of clinoatacamite, hosting numerous dark green crystals of the mineral set against a vug lined with contrasting quartz over bits of malachite.
This is one of the top two clinoatacamites from the lot (along with the first specimen on the page, which I would consider the best.) The other specimen has more clinoatacamite and is larger, but I think this one might have better aesthetics.
The majority of the examples I have seen have the crystals somewhat jumbled together, or set against dark green malachite matrixes. As a result, the crystals can be hard to properly appreciate. The contrasting background and distinct nature of the crystals and crystal clusters make the clinoatacamite on this piece easier to discern and appreciate.
I purchased a large lot of Lilly Mine material while in Peru, the bulk of the specimens were mainly just druses of quartz over chrysocolla or malachite, though there were a small quantity of these very rare clinoatacamite specimens as well.
This is one of the top two clinoatacamites from the lot and an unusual example of the intersection between rarity and a macroscopic mineral that can actually be called aesthetic.
Clinoatacamite is a hydrous copper chloride
A big enargite specimen from a very small recent find in Peru, of a style that has not been found in years.
Enargite specimens are primarily known from Montana, Taiwan, and a couple localities in Peru. The first two locations have not produced specimens in decades, and the Peruvian mines have only produced small quantities of exceptionally ugly examples for the last several years.
This is a very rich specimen, the best example from a very small recent find. It all looks somewhat jumbled in the pictures, but the crystals appear much more distinct in person, and the piece more three dimensional overall.
Saw marks on the back.
A large quartz scepter from Pampa Blanca, best known for its epidote and Japan law twins. This is without a doubt one of the larger "scepters" I have seen from Peru, and I was a bit shocked to learn its origin, (this is very uncharacteristic of Pampa Blanca) but I showed a couple dealers in Peru, and they all agreed that the locality was correct.
There are little bits of green malachite here and there, and on the shaft near the termination interesting growth faces can be seen (see close up image of termination). There is a sizable chip on the back of the termination, though from the front it cannot be seen.
At least in my experience, this is the best (and largest) quartz scepter that I have seen from Peru.
An exceptional cabinet ludlamite, with the main crystal group measuring 2.1 cm across, and several other crystal groups scattered about the matrix.
This is one of the best ludlamites I have seen in a long time. The specimen is very well balanced, with the crystal cluster positioned centrally on its matrix. The beautiful green of the ludlamite contrasts nicely with the pyrite and wavellite on the matrix.
Good ludlamite has only come from a few localities worldwide- Rapid Creek in the Yukon, Lemhi Co. in Idaho, Santa Eualia in Mexico, and Huanuni. None have produced good ludlamites in years (ludlamite has not been found at Huanuni for 6-7 years now.)
Even when this material was being found, pieces of this caliber were never common.
Simply put, an exceptional example of nikishcherite, with a few ball-like clusters of hexagonal crystals on matrix. Neat the bottom of the specimen, there is also another area covered with darker hexagonal crystals of the mineral.
This species is the iron rich analogue of shigaite, and was first described in 2001 from specimens produced during a single find that occurred in 2000. At the time, there were estimated to be fewer that 200 specimens in existence— this recent find only bumps that up by a very small number.
Virtually all of what was found in the original discovery back in 2000 were thumbnails. most without matrix. To have a specimen of this size with this much nikischerite on it is virtually unheard of.
A large pyrite specimen from the Racracancha mine. Racracancha has produced mainly cubic pyrite, virtually always with striated faces, and this is a particularly large example.
For the size , it is in remarkably good shape—I see only ONE spot of damage on the display face, it is the corner of the largest crystal (this is visible in the pictures.) Obviously, the larger a specimen is, the greater the chances that it will be damaged. The greater area alone accounts for much of this increased probability, though there is also an increased difficulty of extraction.
Racracancha is a long abandoned mine, which around 2007 was rediscovered by local miners who for the last few years have been working to extract mineral specimens. The mine is most notable for its striated pyrites, included calcites, and manganocalcites.
The back is mostly crystallized as well.
A rare specimen of Peruvian gold, on matrix. Although gold specimens from Peru are rare, there are extensive gold deposits scattered throughout the country, and ironically, you are more likely to see Peruvian gold in the form of an Incan artifact, than in its natural state.
Although there are a number of large gold mining operations in Peru being operating by multinationals, the Yangas area is worked by hundreds of small scale miners, without the aid of heavy machinery-- that's why every once in a while, something like this can be preserved.
A large cabinet specimen from the world famous Huanzala Mine, showing the bright luster that the locality is famous for.
This specimen displays well from multiple angles, with good 3-dimensionallity, sharpness, and a lack of damage. The arrangement of the crystals gives it a sort of sculptural appearance.
The flattened area on the far left of the specimen is not damage, rather the crystals appear flattened, as if they grew up against another surface.
As with most of the iconic mines in Peru, Huanzala has now come under largely foreign ownership, and there is increased mechanization. I was told by a few dealers that less and less is now coming out of this one prolific mine, as both mechanization and company policy have severely limited the number of specimens that are able to leave the mine.